LOT DETAILS

Materials:

oil and tempera on panel

Size Notes:

diameter

Description:

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Exhibited:

London, Agnew's, Summer Exhibition of Old Masters, 16 May-16 June 1962.

Literature:

The Connoisseur, May 1962, illustrated. E. Fahy, Some Followers of Domenico Ghirlandajo, Ph.D. diss., Harvard University, Cambridge, 1968, New York and London, 1976, p. 201, as 'Master of Tavarnelle'. J.K. Nelson, The Later Works of Filippino Lippi from his Roman Sojourn until his Death (ca. 1489-1504), Ph.D. diss., Institute of Fine Arts, New York University, New York, 1992, p. 283, as 'Master of Memphis'. E. Fahy, '"Master called "Niccolò Cartoni"', Frick Art Reference Library, New York, 1996, as 'Master of Memphis'. R. Olson, The Florentine Tondo, Oxford and New York, 2000, fig. A32, as 'Studio of Filippino'. J.K. Nelson, and L.A. Waldman, 'La questione dei dipinti postumi di Filippino: Fra Girolamo da Brescia, il "Maestro di Memphis" e la pala d'altare a Fabbrica di Peccioli", Filippino Lippi e Pietro Perugino: La Deposizione della Santissima Annunziata e il suo restauro, Florence, 2004, pp. 142-43, as 'Master of Memphis'. P. Zambrano, et. al., Filippino Lippi, Milan, 2004, p. 610, no. R29, as 'Master of Memphis'.

Provenance:

Anonymous sale; Christie's, London, 24 March 1961, lot 37, as 'Filippino Lippi' (7000 gns. to Agnew's). with Agnew's, London, as 'Filippino Lippi and Raffaelino del Garbo', from where purchased by Mr. E.W. Edwards, Cincinnati, thence by descent to his daughter Eleanor Wood Prince, Chicago.